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## Hybridity
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### 2-minute freewrite
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I haven't had a parter to whom I have written love poems in nearly two decades, and I've never had a love poem written to me until recently. I woke up a few weeks ago to a pining poem written in a language I didn't speak and puzzled over it for a while until giving up and plugging it into Google Translate.
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### 2-minutes about a piece we're having trouble with
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I've been struggling with both pieces in progress, *Marsh* and *Florilegium*, and I've been blaming it on long COVID and all its associated symptoms, but I'm beginning to think it's perhaps something broader, more integral. I cut down on one of my meds and lo, the words are coming again. Perhaps I can blame Echo, as well. Ey're so full of words...
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### Brink
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* Journal focusing on hybrid works, from mixed media to mixed form
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* Themed volumes, but writers approach from a slant, interesting takes on it
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* What hybridity means:
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* Stories that look and feel different from traditional writing
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* Not necessarily experimental, leaning on the story's complications, can still 'look' like the form
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* Work that teaches the reader how to read it, a co-work with the reader
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* E.g: epistolary, diaristic, archival, catalogue
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* Focus on play and freedom with the page
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### Return to piece we're having trouble with
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I like the idea of a diaristic approach to either Elevation or Margins. Make it more personal and immediate. That would probably be a good one for Margins, because it would keep the hybridity, yet make the quotes feel more breathless.
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