update from sparkleup

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Madison Rye Progress 2024-06-23 13:19:17 -07:00
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@ -226,7 +226,9 @@ And so it is that I must once more step back from my notes — and here you must
We must first of all unlearn the idea that unbecoming is an active process. There may be agency involved — in fact, I think The Woman would insist that there *must* be agency involved, though I think she might hesitate if you were to ask whose agency — but that does not mean that this is a process of undoing-of-self. It is not, as The Woman stated so explicitly, dying, of course, but neither is it coming apart.
The agency, then, comes mostly in the act of choice. I mentioned above or perhaps some pages back that The Woman held onto the thought that stillness lay in choice. I said this because we are so beholden to what we were and what we have become and what we fear we may yet be that we so often lack choice. Perhaps this is an issue faced by all of humanity, but for me and for The Woman and for my beloved up-tree and for all of our clade, it is of the utmost importance, for we are so often and in so many subtle ways unable to make choices ourselves. Oh, I can choose what to wear, perhaps, or what pen to pick up, or when to schedule one of those lovely picnic lunches that the ninth stanza so enjoys, with music and food and
The agency, then, comes mostly in the act of choice. I mentioned above or perhaps some pages back that The Woman held onto the thought that stillness lay in choice. I said this because we are so beholden to what we were and what we have become and what we fear we may yet be that we so often lack choice. Perhaps this is an issue faced by all of humanity, but for me and for The Woman and for my beloved up-tree and for all of our clade, it is of the utmost importance, for we are so often and in so many subtle ways unable to make choices ourselves. Oh, I can choose what to wear, perhaps, or what pen to pick up, or when to schedule one of those lovely picnic lunches that the ninth stanza so enjoys, with Praise's music and Warmth's food and Praiseworthy's inscrutable expressions and all of the varied ways in which we love each other.
There is agency, yes, and there is choice and there is a movement toward, but there is also passivity, a moving into passivity, an acceptance of passivity. The Woman, this beautiful woman whose smiles are blessings and whose life is a story — this story! Dear readers, this story! — wished to be still. She wanted her unbecoming to be a stillness of her form, perhaps, and her thoughts, to be sure, but also of her very self. She wanted a self locked in joy. She wanted to be as Michelle was in that moment, that final moment, that moment when she looked up to the sun, looked up to our *HaShem*, looked up to The Dreamer, and became a fount of joy, of memory, of thousands of collective years of existence compressed into one self, and she wanted to be in that moment: extended.
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@ -335,7 +337,6 @@ The Woman smiled, nodded, and sank to a knee so that she could give The Child a
This day, you see, this day was also not without forward movement, for The Child said something while climbing a tree that caught The Woman unawares, like the surprise of finding a shiny rock on the ground or perhaps seeing a shape in the clouds. The Child, climbing up a tree with great skill, mentioned in a stream of ceaseless chatter, "One time, Serene turned herself into a tree! She said that she wanted to see what it was like to truly live within one of her sims, you know? She made a bunch of this sim, too! She said she wanted to see what it was like to be a part of something she made. So out there, out on the field out back of the houses, she made herself into this *huge* maple tree! She made it a whole six months like that, then turned back into a fox again. She said it was really boring being so still. She said coming back was like being born, though. That is neat, is it not?"
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"I want to unbecome," The Woman told Her Friend.