update from sparkleup
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> * How are you all taking to time skew? I'd like to know more specifics of the mechanics and social implications so that I can understand Iska's reticence better.
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> * The Artemisians ask for regular breaks, where they always retreat back to their rest area. Probably five minutes every half hour. When asked, Turun Ko said, "Consensus synchronization, planning-strategizing responses," by which I infer that they are used to being able to step aside for conversations to ensure they are all on the same page. Does that hold true there? TN is currently instructing them on the use of cones of silence to see if that helps.
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> * How are you liking it? Other than the inability to fork, I'm taken by the relatively prosaic nature of the talks, incomprehensibility aside. Do you like it there?
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> * What do you think, are we just dreaming this all up?
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>
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> Codrin#Assist, pass on my love back home.
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>
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>
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> TN here struggles with the 1racers lack of expression, though I had been chalking much of that up to her struggles with skew until you mentioned it. There have been a few misses in the conversation, where the two leaders will wind down a conversational blind alley and have to back up to the point where they turned the wrong corner. So patient is Turun Ka that this has been all the more frustrating for us, as it's difficult to tear down the assumptions that we've built up in the interim. Now that I say that, though, perhaps it is also frustrating for it, too, we just can't tell.
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>
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> Are we dreaming it? Given how dreadfully immediate everything has felt, if we are, it is closer to a nightmare than a dream. Given what is happening with the Odists, I'll stick with TN's original assessment: the chance is small, but it isn't zero.
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>
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> Anyway, I should head back to common time and catch up with Sarah before we head back to it. I want to make sure we talk more about the reasons why they picked 'recorder' as a required profession for this meeting. If it's about telling stories, I'm all for it.
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>
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> **BĂLAN CLADE-EYES-ONLY MATERIAL**
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