update from sparkleup

writing/3/unknown-things/iyov/index.md

@@ -20,11 +20,12 @@ Rewrite for side-by-side:
 
 Timeboxed third attempt for academic in footnotes:
 
-* Background --- Andrew and Jill and the fundamental unhappiness of identity
-* Younes --- Gender play and hidden selves
-* Dysphoria --- The internal side
-* Clash with Jill --- Stopped talking, told off for Younes, told to fuck off
-* The choice of Job
+* [o] [Intro](reverse/intro)
+* [.] [Background](reverse/background) --- Andrew and Jill and the fundamental unhappiness of identity
+* [ ] Younes --- Gender play and hidden selves
+* [ ] Dysphoria --- The internal side
+* [ ] Clash with Jill --- Stopped talking, told off for Younes, told to fuck off
+* [ ] The choice of Job
 
 Pals quotes:
 
@@ -42,20 +43,8 @@ G. K. Chesterton https://www.chesterton.org/introduction-to-job/
 On forgiving one's Elihu:
 
 ```
-\footnote{I've heard said in the past that "forgiveness is releasing the hope for a better past" \parencite{wakefield} but it's more complicated than that, isn't it? That quote itself is more complicated than that:
-
-\begin{verse}
-There are ways around being the go-to person \\
-even for ourselves \\
-even when the answer is clear \\
-clear like the holy water Gentiles would drink \\
-before they realized \\
-forgiveness is the release of all hope for a better past
-\end{verse}
-
-Primed as we are to take text out of context, wrap our own needs around it, and pretend that it is in all ways applicable to all situations (for did I not already bring up mistaking accidental, individual symbols for universal ones?), it's so easy to misremember that the better past we hope for is just some dream, some thing we cling to long after the us that lived that past has died.
-
-Who knows if I was the go-to person, the punching bag for my Elihu, the object of their simple angers? Who knows if they remember me? They cut contact, without telling me, without telling me why, and who knows if they even know the reason?
-
-Who cares, other then me?}
+\footnote{}
 ```
+
+-----
+

writing/3/unknown-things/iyov/reverse/background.md

@@ -0,0 +1,16 @@
+I met her through a friend, Andrew. My boyfriend at the time, actually. I'd flown down to Florida some time in 2009, I think, to visit him. A quick jaunt down to Clearwater where his ex-Scientologist mom and step-dad had set up their own business, bought some ridiculous house on the beach, and raised their only child.
+
+So much of that trip was so fun, too, even if it was the last. We drove out to some car meet-up at a strip mall. Fast car after fast car lined up in a parking lot. Men in sunglasses. Someone, years younger than I, crouching down to try and stick his cell phone, held up on its edge, under his car and showing that it had been lowered that much. "Fucking idiot," Andrew whispered. "Speed bumps would rip the shit out of that."
+
+He was the car nerd, not me. He was the one who had a black Dodge Dynasty with a red velour interior — his "mob car" — and then that terrible minivan he tried to strip and paint black by himself, and then the...was it a Passat?
+
+That last one we drove out to Orlando where one of his friends, Jill, her family the holders of a Disney pass, had procured a hotel room somewhere on the outskirts of Walt Disney World where we could have a small party — Andrew and I, her and her...was it her boyfriend? And Floe and Necco. A mostly quiet night of drinking and talking and more drinking. Andrew and I got drunk. Floe and Necco got drunk. Jill got drunk, and her boyfriend got truly wasted. He ran a bath, climbed in fully-clothed, and cried about how much he loved his friends. We sat on the rim of the tub, dangled our feet in the warm water, agreed earnestly.
+
+And I did too! I loved Andrew, of course. I still do, from however far away. We haven't talked in years, but I would not be who I am without him. I love Floe — I've worked with him on dozens of illustrations over the years. I loved Necco, even if he also fills me with loathing now. I suppose I must have loved Jill and her boyfriend, too. That sort of sticky-sweet love is infectious in a vodka-tinged haze.
+
+After that, we went to some event. Another alcohol-fueled party. Another awkward night. Another drive back home and then the rest of our stay. It went less than stellar, and we broke up the day I returned home. It had been a long time coming, not least of which because, without telling me, he'd been dating Jill for months beforehand.
+
+Shortly after I started to realize just how ill-suited I was to music education, I went through a change of identity online. While before I had gone by the name 'Ranna', cribbed from Garth Nix's excellent Old Kingdom series, I now began to go by the name Makyo, from a zen Buddhist term which bears a similar meaning. Something about just how focused many of the general teacher education classes were on things other than education filled me with a sense that I might not actually be in any way helping students, but simply standing in their way. I was makyō. I was satan.
+    
+I, at one point, was overtaken by the need to tell my story through the frame of a conversation with an ally. I described them — or perhaps they described themselves; the boundary between framing device and reality blurs — as "an ally, not a friend." Towards the end of the project, we had a 'conversation' wherein I attempt to describe their inverse. Their response: "Not your enemy, but your adversary." \parencite[25]{ally-making-of}
+

writing/3/unknown-things/iyov/reverse/intro.md

@@ -15,7 +15,7 @@ forgiveness is the release of all hope for a better past
 
 Primed as we are to take text out of context, wrap our own needs around it, and pretend that it is in all ways applicable to all situations (for did I not already ramble about mistaking accidental, individual symbols for universal ones?), it's so easy to misremember that the better past we hope for is just some dream, some thing we cling to long after the us that lived that past has died.
 
-Who knows if I was the go-to person, the punching bag for my Elihu, the object of their simple angers? Who knows if they remember me? They cut contact, without telling me, without telling me why, and who knows if they even know the reason?
+Who knows if I was the go-to person, the punching bag for my Elihu, the object of her simple angers? Who knows if they remember me? She cut contact, without telling me, without telling me why, and who knows if she even knows the reason?
 
 Who cares, other then me?
 
@@ -27,27 +27,17 @@ The story of identity, the story of coming to terms with existing in some partic
 
 That date, September 6th, had nothing in particular to do with gender. The answer was no, after all. Madison was born some two intercalary years later. Matthew's death had nothing to do with gender — he died when his friend died, when Margaras hit that barricade at fifty miles an hour.
 
+Matthew died and then I don't remember what happened. I suppose there was a few years of fumbling around, poking and prodding at various parts of his body in the hopes that something could be salvaged. The hair, maybe? Or the softness of skin? Perhaps he could simply be recycled into something new, the same lump of clay molded and remolded into something new until some fresher breath of life was breathed into it.
+
+If Matthew died in 2012 and Madison wasn't born until a few years later, if I don't remember those in-between years, then I keep questioning whether or not I actually existed then. I suppose 2013 involved dealing with the tic, and I guess we moved in 2014, but both of those stand-out events feel as though they happened to someone else, someone not Madison.
+
+If Matthew died in 2012, why was I not born then?
+
 In reply to asking myself that, I say, "If Matthew died on September of that year, then he was sick long before. This was part of his long, slow death rattle."
 
-He'd been sick for months. He'd contracted something terminal, been infected with some terrible, memetic illness earlier that year.
+He'd been sick for months. He'd contracted something terminal, been infected with some terrible, memetic illness earlier that year. Words had been whispered, implications, innuendo, little hints in growing silence and distance. These drilled their way into him, teased out an immune response in the form of defensiveness, then left a husk behind.
 
 Stories are as bound to time as we are, and all we can do is steal back a bit of that memory through however many words. All we can do with these memories pinned in place is regard them from a second level of distance and make guesses. All I can do now is make guesses as to the meaning of however many conversations — those very real words lost to the whims of technology — that lead to the slow and not always but often painful death of who I was.
 
-The framing device for my own choice of Job is as follows.
-
-I met her through a friend, Andrew. My boyfriend at the time, actually. I'd flown down to Florida some time in 2009, I think, to visit him. A quick jaunt down to Clearwater where his ex-Scientologist mom and step-dad had set up their own business, bought some ridiculous house on the beach, and raised their only child.
-
-So much of that trip was so fun, too, even if it was the last. We drove out to some car meet-up at a strip mall. Fast car after fast car lined up in a parking lot. Men in sunglasses. Someone, years younger than I, crouching down to try and stick his cell phone, held up on its edge, under his car and showing that it had been lowered that much. "Fucking idiot," Andrew whispered. "Speed bumps would rip the shit out of that."
-
-He was the car nerd, not me. He was the one who had a black Dodge Dynasty with a red velour interior — his "mob car" — and then that terrible minivan he tried to strip and paint black by himself, and then the…was it a Passat?
-
-That last one we drove out to Orlando where one of his friends, Jill, her family the holders of a Disney pass, had procured a hotel room somewhere on the outskirts of Walt Disney World where we could have a small party — Andrew and I, her and her…was it her boyfriend? And Floe and Necco. A mostly quiet night of drinking and talking and more drinking. Andrew and I got drunk. Floe and Necco got drunk. Jill got drunk, and her boyfriend got truly wasted. He ran a bath, climbed in fully-clothed, and cried about how much he loved his friends. We sat on the rim of the tub, dangled our feet in the warm water, agreed earnestly.
-
-And I did too! I loved Andrew, of course. I still do, from however far away. We haven't talked in years, but I would not be who I am without him. I love Floe — I've worked with him on dozens of illustrations over the years. I loved Necco, even if he also fills me with loathing now. I suppose I must have loved Jill and her boyfriend, too. That sort of sticky-sweet love is infectious in a vodka-tinged haze.
-
-After that, we went to some event. Another alcohol-fueled party. Another awkward night. Another drive back home and then the rest of our stay. It went less than stellar, and we broke up the day I returned home. It had been a long time coming, not least of which because, without telling me, he'd been dating Jill for months beforehand.
-
-Shortly after I started to realize just how ill-suited I was to music education, I went through a change of identity online. While before I had gone by the name 'Ranna', cribbed from Garth Nix's excellent Old Kingdom series, I now began to go by the name Makyo, from a zen Buddhist term which bears a similar meaning. Something about just how focused many of the general teacher education classes were on things other than education filled me with a sense that I might not actually be in any way helping students, but simply standing in their way. I was makyō. I was satan.
-    
-I, at one point, was overtaken by the need to tell my story through the frame of a conversation with an ally. I described them — or perhaps they described themselves; the boundary between framing device and reality blurs — as "an ally, not a friend." Towards the end of the project, we had a 'conversation' wherein I attempt to describe their inverse. Their response: "Not your enemy, but your adversary." \parencite[25]{ally-making-of}
+-----