update from sparkleup
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@ -98,7 +98,31 @@ Along the other wall — that wall that had been hidden to the woman — was a s
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The Woman had her own ritual of grief to perform, though, and this did not call for touching the bed.
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Instead, she sat down near the end of it, across the room from Her Cocladist, for both beds had at their feet matching beanbags — when you have a tail that flickers into being at moments not under your control, you are limited in your seating, you see, to the types of seats that can accommodate such caudal majesty that skunks sport —
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Instead, she sat down near the end of it, across the room from Her Cocladist, for both beds had at their feet matching beanbags — when you have a tail that flickers into being at moments not under your control, you are limited in your seating, you see, to the types of seats that can accommodate such caudal majesty that skunks sport — where once Her Cocladist and Should We Forget would sit at times and talk and share in kindnesses such as touch when their forms permitted.
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There, The Woman remained still.
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She had within her an idea that there was mourning to be had in proximity.
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She had within her an idea that there was stillness to be had in mourning.
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She had within her an idea that there was joy to be had in stillness.
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The Woman wondered whether or not there was stillness in prayer. While Michelle who was Sasha inherited the faith of her parents and grandparents before them of Judaism, she herself did not inherit much of such from Michelle who was Sasha — this was the realm of the third stanza, of Oh But To Whom and Rav From Whence and What Right Have I — and yet the kernel of such lives within us all for such is the nature of an inherited faith.
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And yet regardless of her faith, there are, I am told, four kinds of prayer: words of thanksgiving, words of supplication, words of wonder, and the silence of meditation. I think, though, and perhaps you may think as well, that there are words of woe, of distress, of pain and fear and of the yearning for something — *anything* — when our *HaShem* does not feel near.
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I think The Woman, as she sat across from Her Cocladist and watched how she looked now out the window, unseeing, silent tears coursing down her cheeks and leaving tracks on cheeks or marks in fur, leaned hardest on the last. One might think that she would in her seeking of stillness lean harder on the silence of meditation but I also think that it hurts too much to witness some pains. The Woman was kind. She was empathetic. She could sit there in pain with Her Cocladist and pray: how long, *Adonai,* will You forget me always? How long hide Your face from me? How long shall I cast about for counsel, sorrow in my heart all day? Regard, answer me, *HaShem,* my God. Light up my eyes, lest I sleep with death. My heart exults in Your rescue my heart exults in You my heart exults in You my heart exults in You my heart exults in You.
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Perhaps this is how she prayed, perhaps this is how I pray. Perhaps I cast about for something — *anything* — to anchor me to *this* world, to *this* reality, to *this* life and call out: why am I forgotten? Perhaps I do my best to trust. Perhaps I do my best to cause my heart to exult in some god in whom I am not sure I believe that I may be regarded, that I may be answered.
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Perhaps that is not how she prayed. Perhaps she rested her cheek on her fist and looked as well out the window and cried, or perhaps not, but still she sat in silence. Perhaps she leaned not on psalms of anguish but on the silence of meditation
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Perhaps she did not pray at all. I do not rightly know, and can only surmise.
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Perhaps she, like me, like Job, struggles with maintaining a faith disinterested in reward or punishment or relief from sorrow. Perhaps she, like me, wishes she could in the hope that such disinterested faith might still provide a soothing balm against pain. Perhaps she, like me, struggles not to fall into the cynicism of Qohelet, the gather of the assembled who mused aloud: I set my heart to know wisdom and to know revelry and folly, for this, too, is herding the wind. Who mused aloud: what gain is there for man in all his toil that he toils under the sun? Who mused aloud: everything was from the dust, and everything goes back to the dust.
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<!-- Disinterested -->
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