update from sparkleup

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Madison Rye Progress 2024-07-02 17:18:52 -07:00
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@ -17,7 +17,7 @@ But that was three hundred years ago.
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The Woman wanders the world some few times a month, stepping out into unknown nowheres and known somewheres to be seen, to be perceived as still existing. I do not know why she does this, but it is important to her that someone witness her existing. It is a ritual she follows around like a little puppy: she will not know what will happen when she first does it properly, but she hopes it will be something wonderful.
The Woman wanders the world some few times a month, stepping out into unknown nowheres and known somewheres to be seen, to be perceived as still existing. I do not know why, but it is important to her that someone witness her existing. It is a ritual she follows around like a little puppy: she will not know what will happen when she first does it properly, but she hopes it will be something wonderful.
The Woman has many rituals.
@ -25,13 +25,13 @@ She has rituals for eating food, for feeding the vessel in which she makes her h
She has rituals for getting dressed, for clothing the form with which the world sees her. She must choose a garment that fits her body and one that fits her mood. You must understand: every time she gets dressed, there is a moment of scrying into her deepest self and estimating how it is that she feels that day. And should her mood change, should those feelings shift, she will find her clothing itchy and uncomfortable, and if her form becomes not what it once was, her clothing will become uncomfortably tight or perhaps she will disappear down into the folds of fabric.
She has rituals for entering a room, for passing through a door. She must touch the door frame beside her shoulder, must brush her fingers against the wood or stone or metal or some more abstract substance. You must understand: she has to do this for every door she walks through, and for this reason, there is a door in the house where she lives that was built by a friend of Her Friend that leads directly out into a city. She opens the closest door and steps out onto a concrete sidewalk lined with trees and passers by, where the sun shines bright and the air burns cold in her nostrils and the dry leaves skitter anxiously about her feet. As she steps out, she can brush her hand to the door frame.
She has rituals for entering a room, for passing through a door. She must touch the door frame beside her shoulder, must brush her fingers against the wood or stone or metal or some more abstract substance. You must understand: she has to do this for every door she walks through, and for this reason, there is a door in the house where she lives that was built by a friend of Her Friend that leads directly out into a city. She opens the closet door and steps out onto a concrete sidewalk lined with trees and passers by, where the sun shines bright and the air burns cold in her nostrils and the dry leaves skitter anxiously about her feet. As she steps out, she can brush her hand to the door jamb.
I do not know where these rituals come from, and perhaps some of my readers will immediately say, "OCD? Does The Woman have obsessive compulsive disorder?"
Perhaps she does, perhaps she does not. I do not know, friend. I *do* know that there are obsessions within her, yes, and I am sure that these rituals feel compulsory, but there is something different about The Woman. She is too present. She is too much herself, too human, too embodied within her vessel as it spirals out of control, too stuck in her mind as it twists in on itself. She is less struck by a disorder than she is struck by a constant overwhelm, a constant overflowing.
The Woman uploaded when she was overflowing. She lived within that overflow for years, for seven years she was overflowing, she was trapped within her mind and within the vessel of her body, and she lived as best she can as her body spiraled out of control.
The Woman uploaded when she was overflowing. She lived within that overflow for years, for twelve years she was overflowing, she was trapped within her mind and within the vessel of her body, and she lived as best she can as her body spiraled out of control.
Readers, you must understand that she was in so many ways whole still!
@ -45,7 +45,7 @@ I think that she would say, however, that she was *too* whole. I think she would
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"I wish," The Woman said some decades after Michelle Hadje/Sasha uploaded, after she became End Of Endings of the Ode clade, of the tenth stanza, "I wish I could unbecome."
"I wish," The Woman said some decades after Michelle Hadje who was Sasha uploaded, after she became End Of Endings of the Ode clade, of the tenth stanza, "I wish I could unbecome."
Her Friend frowned and replied, "Do you mean you wish you could die?"
@ -71,7 +71,7 @@ Her Friend was a good person who always treated The Woman well. Ey knew just how
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Every few years, there would be a gathering on her birthday — their birthday, for Her Friend was also of the Ode clade, also of Michelle Hadje/Sasha — and they would sit somewhere, whether it was out on the porch of the home The Woman shared with the rest of the tenth stanza, or out on the dandelion-speckled lawn, or, once the door had been built into the house, on rickety chairs outside a cafe over identical coffees.
Every year, there would be a gathering on her birthday — their birthday, for Her Friend was also of the Ode clade, also of Michelle Hadje who was Sasha — and they would sit somewhere, whether it was out on the porch of the home The Woman shared with the rest of the tenth stanza, or out on the dandelion-speckled lawn, or, once the door had been built into the house, on rickety chairs outside a cafe over identical coffees.
Every time they would meet up thus, The Woman and Her Friend would take a few minutes to themselves to have the same conversation:
@ -87,13 +87,13 @@ And then Her Friend would ask The Woman if ey could hug her, and she would usual
"Yes, No Hesitation," she would say. "I want you to be there with me, if ever I figure out just what I mean."
And after that, they would go to the rest of the party.
And after that, they would go to the rest of the party at the home of the tenth stanza.
I think you would like to see these parties, friends. I think that they would not be quite as you would expect, of course. They are not the kinds of birthday parties that you or I might have. Where we might have cakes and singing and the blowing out of candles, they would gather together over simple foods — so many from the tenth stanza had such sensitive tastes, and it was so easy to make sure that everyone could eat everything! — and often they would simply sit silent. They would sit there, quiet, but present in each other's company.
They would not seem to be parties like you and I have because this was not all that different from what might happen once or twice a month at the house in which the tenth stanza all lived. While each lived their own lives, occasionally, their schedules would coincide and they would all sit down together at the giant oak table together and eat, mostly in silence.
Some of them shared rooms, you see, but mostly, they kept to themselves. They lived together in that big Gothic house plopped right down in the middle of a prairie of green grass and yellow dandelions, out where the stoop stepped down directly into the grass, but I say 'lived together' in a very mechanical sense. They never shared meals intentionally, nor even spoke all that often to each other. It is just that, sometimes, they would all find themselves at table at the same time!
Some of them shared rooms, you see, but mostly, they kept to themselves. They lived together in that big Gothic house plopped right down in the middle of a prairie of green grass and yellow dandelions, out where the stoop stepped down directly into the field, but I say 'lived together' in a very mechanical sense. They never shared meals intentionally, nor even spoke all that often to each other. It is just that, sometimes, they would all find themselves at table at the same time!
So the only difference between parties and those days when they all found themselves eating together was mostly that this time, they actually *meant* to, and these were the days when, most often, more than one of them would invite over a friend or a guest.
@ -103,7 +103,7 @@ But Should We Forget was no longer alive, not since the world had turned in on i
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When Michelle/Sasha had quit, there on a field so similar to the one that she lived on, The Woman breathed out a sigh of relief, because she knew — though I do not think she know how — that Michelle/Sasha had found her own relief in those last moments. She had looked up to the sky, up to the Poet, up to the Dreamer who dreamed the world in which they lived, and in those moments she knew relief. She knew relief and she knew joy and she knew so, so much peace.
When Michelle who was Sasha had quit, out on a field so similar to the one that she lived on, The Woman breathed a sigh of relief, because she knew — though I do not think she know how — that Michelle who was Sasha had found her own relief in those last moments. She had looked up to the sky, up to our poet, up to The Dreamer who dreamed the world in which they lived, and in those moments she knew relief. She knew relief and she knew joy and she knew so, so much peace.
Peace! That was one of the things that The Woman craved. She wanted nothing more than to know a little bit of peace.
@ -111,7 +111,7 @@ No rituals.
No overflowing.
None of this shifting of form that would strike unawares, for there she would be, sitting as pretty as could be, just this woman, just this short, round woman with a round, pale face and curly, black hair, and then with a cry or with a whimper or with a sigh of defeat, her very form would shift from beneath her. Her conception of herself would slip from her grasp and she would cease to be The Woman and instead be The Skunk or The Panther. It was always one of those three, for some days, she would be happily The Panther, and then a bee would land on her nose and tickle her whiskers and she would sneeze herself into a skunk.
None of this shifting of form that would strike unawares, for there she would be, sitting as pretty as could be, just this woman, just this short, round woman with a round, pale face and curly, black hair, and then with a cry or with a whimper or with a sigh of defeat, her very form would shift from beneath her. Her conception of herself would slip from her grasp and she would cease to be The Woman and instead be The Skunk or The Panther, for the woman, you see, rather liked these animals. It was always one of those three, for some days, she would be happily The Panther, and then a bee would land on her nose and tickle her whiskers and she would sneeze herself into a skunk.
I think it was cute sometimes, and I think she would say the same. I think she would say, "Oh! Oh! Look at that!" and then she would set to work brushing her tail. After all, what else is one to do if they found themselves to be in possession of such caudal beauty as is a skunk?