# Writers' Crossing --- Using Story Beats %title Using Story Beats ## Dramatis personae * Billy the skunk * Corrin the Capybara ## Outline * Goal or agenda: * Billy doesn't have time for love, too busy being professional skunk - twinge of loneliness b/c no +1 * Corrin has body image struggles because she's shaped like a capybara * Meet cute: * Office party b/c they are coworkers * No Way #1: * Billy: Corrin is in a different department and doesn't have a great working rep * Corrin: He's so handsome...*too* handsome, the suit may mean he's a jerk * Stuck together: * Broken elevator * Corrin kind of freaking out b/c this is making her late to a meeting her job is riding on * Billy offers story for why she was late, showing that he understands more of her troubles on the job * Billy learns about Corrin's lack of self esteem * Corrin learns why Billy's so motivated * No Way! #2: * Billy doesn't want to get distracted. Trying to help the company as a whole, and maybe that will help corrin, but he can't let that get in the way. * Corrin tries to play it off, he was just being nice, but she still harbors doubts. Two options: * Corrin hears from a friend that she should go for him, but resists that idea * Corrin hears from a friend that he's really good at acting nice but is actually terrifying * Bone Town™: * A frank exchange of opinions and fears over skee-ball at Dave and Bustersn * Swaps numbers, but pen explodes over tie * Billy is self-conscious about what others will think of this relationship; embarrassed that this felt good * Corrin is optimistic; scared but relieved * There's some mixed signals re: expectations for each other and feelings for each other * Seed of doubt: * Billy * Wallow #1: Texting/DMs with college buddy, bouncing off this idea that he's embarrassed (also gives other character chance to give billy some backstory) * Retreat: Starting to feel for her, but it turns out she really isn't a great employee (but based around anxiety attacks), so it could reflect poorly on him as upper management if they were to go out * Choose fear: work is too important to try and make relationship work, etc * Wallow #2: light-hearted: getting drunk at the jazz bar; darker: pulling all-nighters at work b/c that way won't have to think about it * Corrin * Wallow #1: She got Billy's number, but balks before actually texting because she's still scared about the possibilities. * Retreat: Finally tries to reveal soft spot for Billy, but texts the wrong number, retreats. * Choose fear: he *gave* me the wrong number because suit = jerk; maybe she got fired and it looks like it came from him (if only in the heat of the moment) * Wallow #2: catharsis of eating garbage food/screaming into karaoke * Choose love: * Billy: distraction is not happiness, work is just distraction * Corrin: can't tackle self image without validation, and hey, Billy gave her that; finds out that it wasn't an intentionally wrong number * Plan and risk: * Corrin: fuck it, gonna go buy him a tie * Grand Gesture: * Corrin: replaces Billy's tie (maybe with something outrageous b/c quirky) * Ends with yes: * puts on tie, looks terrible on him, laughs, smooch * Payoff: * Asks to go on vacation w/ because he's a workaholic. * Hope: * She looks at herself in the mirror, frowning at the thought of beachwear, he hugs and comforts, they go for a walk on the beach. ## Tools * Romance Caduceus * [Scrivener template](http://gwenhayes.com/free-stuff/romancing_the_beat/) * [Romancing the Beat (free on Scribd with trial account)](http://gwenhayes.com/books/romancing-the-beat/)