84 lines
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84 lines
11 KiB
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<title>ZK | RJ Brewster --- 2112</title>
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<h1>Zk | RJ Brewster --- 2112</h1>
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<article class="content">
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<p><span class="tag">writing</span> <span class="tag">novel</span> <span class="tag">chapter</span> <span class="tag">fiction</span> <span class="tag">scifi</span> <span class="tag">post-self</span> <span class="tag">qoheleth</span></p>
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<p>RJ arrived at the theater early, the last few meters of the walk having been spent hastily finishing the carton of Thai. Carton and chopsticks wound up in the trash as ey swiped eir way into the theater.</p>
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<p>"Sorry, Johansson, I'm here."</p>
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<p>The hulking director laughed. "You're here five minutes early, RJ. What on earth are you sorry about?"</p>
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<p>"What? I- Oh."</p>
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<p>"Lot on your mind, kid?"</p>
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<p>"Nah, I'm fine. I mean," RJ frowned, squinted. Anything to get emself in the work mindset. "Yeah, sorry. Woke up early and spent a bunch of time researching. Guess my head's still elsewhere, boss."</p>
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<p>"Well, alright," Johansson rumbled. "So long as you get your head around work. Hey. More crew."</p>
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<p>RJ bustled into the theater and made eir way down to the pit where the mics had been stored. Ey handed them out to the actors who would be wearing them, ticking off the cheat-sheet to align proper mic to correct actor.</p>
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<p>Ey bounded back up the steps two at a time to the tech booth and set about waking the theater up. Caitlin was already delved in, so it would already be shaking its sleepy head. Ey just had to help it wake up the rest of the way.</p>
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<p>RJ exchanged cheery greetings with the lights lead as ey shrugged out of eir jacket, draping it over the back of the chair. Ey slipped eir hands carefully out of eir gloves. Contacts gleamed from eir digits, freshly polished and clean.</p>
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<p>RJ settled into eir chair and delved in to greet the theater. It purred in recognition, brushed up against em. It stretch stretched and unlimbered. Eir hands rested lightly on the contacts in the cradles, forehead against the headrest, thoughts of Cicero and Debarre, of Sasha and the lost left back with eir body.</p>
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<p>The first half of rehearsal went by without much trouble. Johansson had apparently highlighted a few areas of concern, so they began with those. From there, the cast has followed his lead, adjusting as needed per their dear leader's suggestions. RJ and Caitlin kept a script running so that they could keep up with the director and Sarai, the stage manager.</p>
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<p>When the clock hit eight thirty, Johansson called for a break and informed everyone that they would be running through top to bottom after. Last chance for a full run-through.</p>
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<p>RJ gave the purring theater some reassuring warmth and backed out of the connection, reveling in the snap of eir fingers pulling away from that slight magnetic grasp of the cradles. Ey wiped eir hands dry and flexed fingers to keep limber.</p>
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<p>Ey spent the break walking around the theater and stage in one big, looping arc, simply listening. Hearing from the theater's perspective so often, it was easy to get wrapped in the omniscience of it all. Good, too, to hear the way that the ambient sound moved through the room, reflected off of walls and ceiling, died among the baffles. It would all be different with people in the seats, to be sure, but the acoustics of the space were beautiful on their own.</p>
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<p>Johansson whistled piercingly. Back to work, back to the stage. Back to the booth and back to the contented and satiny-soft embrace of the theater for RJ.</p>
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<p>It was around the end of the first act that RJ started having problems.</p>
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<p>When one was delved in, one could always focus hard enough to feel the way their head felt against the headrest, or sense the way that their hands rested within the cradles of the grips. Trickier, sure, when one was as immersive as tech required. Bodies weren't a thing in that liminal space. Ey was as much the room as the room was itself. No forehead, no hands. No headrest or grips</p>
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<p>By the time ey had brought house sound down in time for the curtain, RJ could feel a numbness creeping. A stealing of sensation. A non-feeling flowing slowly over emself from the base of eir neck outwards, stretching out along eir scalp, down eir arms, not-tickling along eir ribs.</p>
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<p>Ey had been willing, desperately, to chalk it up to nerves or exhaustion. It had been such a long week. Thoughts of Cicero, doubtless cradled in some hospital creche: strictly disallowed but nonetheless teasing around the edges of consciousness.</p>
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<p>Tired, yes. Exhausted. Yawns.</p>
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<p>By the time ey couldn't feel the plastic of the headrest or the cradles beneath eir hands, no matter the desperation, ey began to panic.</p>
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<p>Panic, yes. Just anxiety. Performances.</p>
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<p>All the same, it was final dress. Ey would be able to head home and catch up on sleep. Drink some tea. Hot chocolate. Pet the cat. Whatever ey needed.</p>
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<p>Need, yes. Baser than want. Imperatives.</p>
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<p>By the second curtain, something was desperately wrong.</p>
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<p>Ey hadn't missed any cues yet, but ey couldn't seem to figure out how to work eir 'voice'. That thing that wasn't talking. That subvocalization used to communicate with Caitlin Sarai Johansson anyone. The immersion-mouth to chat to talk to radio for help a non-entity non-thing non-here, gone, leaving em feeling exponentially more cut off from the rest of the theater as time went on.</p>
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<p>Numb, yes. Yet strangely embodied. Strangely tangible. Strangely localized. Oh god oh god please help please help. The play. Ey had work. Ey had the theater. Ey had the room and the lines and time and space to manage. Ey had a home and a cat and Sasha and Debarre.</p>
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<p>Had, yes.</p>
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<p>It was the muzzle that was the kicker. The muzzle and the tail, which ey felt --- any feeling a beacon in the storm of numbness which had long since enveloped em entire --- with a piercing intensity. Felt, bordering on and then diving straight into pain.</p>
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<p><em>Pull back,</em> ey begged. Every bit of training begged. Every nerve begged, screamed. <em>A bug, a glitch, an error. Pull back oh god please pull back.</em></p>
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<p>Ey lifted eir hands --- paws? --- in a coarse, jerking motion which, along with the act of pulling eir head back from the contacts, led to em toppling over. There was no chair to catch em.</p>
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<p>And that was when ey missed eir cue.</p>
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<p>The curtain went down, the lights dimmed, and then, ringing clear, a thin giggle filled the auditorium. The lead laughing at a misstep. A quiet joke to share at the pub later. No harm. Sound was off, right? Curtains would eat the sound.</p>
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<p>"RJ," Sarai whispered into the silence of the theater's sim. "Stay on cue, bud."</p>
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<p>No answer, no apology, no acknowledgment that a note had been made. No signal.</p>
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<p>"RJ?"</p>
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<p>"What's going on up there?" Johansson's subvocalization rumbled through the director's channel in the sim.</p>
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<p>"Something's wrong, boss, lemme back out and check up on RJ."</p>
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<p>"Hold places," Johansson said aloud to the the theater. The open channels from the actors' mics carried a few quiet whispers in response. "Hold on, quiet please."</p>
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<p>Moving with a quickness which belied his bulk, Johansson jogged up to the tech booth and slipped in as quickly as possible to keep sound from leaking out. Sarai was trying to rouse RJ.</p>
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<p>Like the projector bulb's heat burning through celluloid film, the third curtain had signified a drastic change. Slow enough to be observed, faster than ey could hope to avoid. The few tenuous touches on reality that held RJ into eir seat in the tech booth scorched and peeled away, acrid smoke stinging eir eyes. And the pain spiked.</p>
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<p>RJ lay on a tile floor. Dirty. Yellow. Brown specks, dark enough to be black.</p>
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<p>The tiles were completely regular, one foot on a side, obviously made of some synthetic material. Harder than linoleum, softer than stone. They were glued to a concrete foundation. No wasting time with grout, each tile butted up against the others to form a grid of thin, black lines showing where the dirt of hundreds of feet had been ground into the remaining seams. Thousands. Millions.</p>
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<p>Ey couldn't move yet, but ey could see that the world was bounded. There was a thin plastic strip of molding around the edge of a wall. Above that, regular rectangles of blue. A wall.</p>
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<p>"Something's not right, boss. He's totally unresponsive on the line."</p>
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<p>"Pull him, pull him! Hit the panic!"</p>
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<p>Caitlin, who had backed out moments before, and Sarai both leaped to RJ's sides and pulled eir hands up from the cradles, rocking em back from the headrest to lean against the back of the chair. All according to training.</p>
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<p>Eir body flopped lifelessly against the cheap plastic mesh.</p>
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<p>Caitlin slapped the small red button on the side of the rig, fingers coming away dusty. Below the desk, drives sparked to life and dumped the last thirty minutes of both sim and brain activity from the user.</p>
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<p>"The hell?" Johansson growled, reaching in a thick pair of fingers to press against the side of the sound lead's neck. "He's got a pulse. Check his eyes, Sarai. Caitlin, call. Now."</p>
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<p>Shaking, Caitlin pulled her phone from her bag and struggled to unlock. She gave up, swiped to the emergency dialer, called out to emergency services.</p>
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<p>"They're rolled back, boss. Bloodshot, too." Sarai tugged back the collar of RJ's shirt, exposing eir exocortex's simple color-coded readout, set at the base of eir neck. "Blue. What the hell..."</p>
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<p>"Ey's not jacked in, though," Johansson said. A statement brooking no discussion. "Can't be."</p>
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<p>"I think--" Sarai trailed off hoarsely, cleared her throat, tried again. "I mean, do you think ey's lost?"</p>
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<p>"Caitlin, what's our status, girl?" Johansson didn't wait for a response, throwing the door to the tech booth wide and shouting out toward the stage, "Cut! Manually shut off your mics and take a seat where you are. Do not move. Emergency services will be here soon, and will record what they can."</p>
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<p>Lockers.</p>
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<p>The blue rectangles were lockers. The first hint were the vent slots a few inches from the bottom of each narrow rectangle, but, as ey lifted eir muzzle from where it lay on the tile floor, ey could clearly see the locks halfway up each door.</p>
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<p>Tall, narrow lockers. Blue. Yellow tile floors. Thin tile glued to cool concrete. The scent, the very feel of the place.</p>
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<p>AwDae struggled against crashing waves of panic. Struggled to make all of this information fit in eir head. Struggled to make it all fit in with the fact that ey was currently halfway between human and fox. A fennec fox dressed in a suit, laying on the floor of the central corridor of eir old high school.</p>
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<p>"The hell?"</p>
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</article>
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<footer>
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<p>Page generated on 2020-04-11</p>
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