From 4fc7ad718481b6efea5ff21854ac5e6f4406763d Mon Sep 17 00:00:00 2001
From: Madison Scott-Clary <makyo@drab-makyo.com>
Date: Sat, 31 Dec 2022 12:01:16 -0800
Subject: [PATCH] update from sparkleup

---
 diary/2022-12-31-subverting-sentences.html | 2 ++
 1 file changed, 2 insertions(+)

diff --git a/diary/2022-12-31-subverting-sentences.html b/diary/2022-12-31-subverting-sentences.html
index ef37d74ef..ec696c05d 100644
--- a/diary/2022-12-31-subverting-sentences.html
+++ b/diary/2022-12-31-subverting-sentences.html
@@ -51,6 +51,7 @@
 <li>Bridge the gap from abstract to concrete, exteriority to interiority</li>
 <li>Appositive clarifies the meaning of a sentence</li>
 <li>Provides essential or additional but not redundant, adds context</li>
+<li>Good for settings/moods rather than dialogue or action</li>
 <li>Helps in identifying other nouns</li>
 <li>&ldquo;The tree, <em>a jack pine,</em> sloughed the snow from its branches as if it was waking up.&rdquo;<ul>
 <li>uses language to imbue additional characteristics </li>
@@ -124,6 +125,7 @@
 </li>
 <li>Questions:<ul>
 <li>How much is intuitive vs deliberate? &mdash; Deliberate mostly in revision, intuitive in writing. In revision, can force it into consciousness</li>
+<li>Are there styles that work better in certain genres, or are they genre agnostic? &mdash; <em>Can</em> span genres, but depends on authorial intent (e.g: minimalism, focus on plot, etc). Be strategic, be careful (e.g: if you have two compound sentences, consider a simple sentence). Use tension to speak about bigger/vaguer/more fluid things. Use tension to avoid didactic writing.</li>
 </ul>
 </li>
 </ul>