From d20deeec1c2ba3d8f96cfc6c7e178e2ddf178777 Mon Sep 17 00:00:00 2001 From: Madison Rye Progress Date: Mon, 28 Oct 2024 21:26:15 -0700 Subject: [PATCH] update from sparkleup --- writing/post-self/what-right-have-I/index.html | 3 ++- 1 file changed, 2 insertions(+), 1 deletion(-) diff --git a/writing/post-self/what-right-have-I/index.html b/writing/post-self/what-right-have-I/index.html index 1085c146e..03435f2ff 100644 --- a/writing/post-self/what-right-have-I/index.html +++ b/writing/post-self/what-right-have-I/index.html @@ -23,7 +23,8 @@
  • Judaism sys-side/post-Israel

    • Strand 1: WHRI tasked with outreach to older clades, both within her community and within the clade, as one who is a member of the community (subtext, later text, being that it’s because she’s so weird, it comes off as visibly struggling with age) -Strand 2:

    +Strand 2: Formative bits of WRHI’s past

    +

    Climax: WRHI confronts RFW about feeling gaslit about being crazy, but also comes to accept that she is just Like That in part because her identity has become cemented; talk with Ashes?;

    Epigraph

    Every reading of every poem, regardless of language, is an act of translation: translation into the reader’s intellectual and emotional life. As no individual reader remains the same, each reading becomes a different — not merely another — reading. The same poem cannot be read twice. (The poem continues in a state of restless change.)