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<h1>Zk | packet-2</h1>
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<h2 id="workshop-notes">Workshop notes</h2>
<ul>
<li>Friday &mdash; Critical reading<ul>
<li>Intro<ul>
<li>Intro self (incl. &ldquo;this is for MFA&rdquo; spiel)</li>
<li>Allow others to intro</li>
</ul>
</li>
<li>Ice breaker: what is your least favorite part of your favorite movie?</li>
<li>Lead into what is a text<ul>
<li>Books/writing, sure, but also anything that tells a story &mdash; film, games, etc</li>
<li>Thus, what is critical reading?</li>
</ul>
</li>
<li>Intentional engagement with a text, especially with regards to the self<ul>
<li>Back to ice breaker: how do you intentionally engage with your favorite film?</li>
<li>How do we intentionally engage with a text in furry?<ul>
<li>What do we like in a furry text? What don&rsquo;t we like?</li>
<li>Notably, not asking what makes a text furry, that we are furries is what enables us to read into that context</li>
<li>Thus, how do we engage with a text that <em>we</em> feel is furry <em>as</em> furries?</li>
</ul>
</li>
</ul>
</li>
<li>What goes into critical reading?<ul>
<li>Layers:<ul>
<li>Mechanical: presentation, word choice, language usage, writing style</li>
<li>Subjective: emotional impact, plot effectiveness, evocative descriptions</li>
</ul>
</li>
</ul>
</li>
<li>Reading exercise:<ul>
<li>Pick one of these two categories to pay attention to first and read, then read for the second</li>
<li>Critique tomorrow, but preview: we&rsquo;re not tearing a text apart, we&rsquo;re asking it questions:<ul>
<li>How did we feel the plot worked? Was there a structure? Could we follow it?</li>
<li>What was told? What was left out? How did (not) knowing make us feel?</li>
<li>What type of language usage was there? Word choice? Style?</li>
<li>How about emotional impact? Was the story impactful? Did the mechanics help or hinder us?</li>
<li>Was it evocative? Was it furry? Did that work?</li>
</ul>
</li>
<li>Be ready to summarize</li>
<li>10 mins to read</li>
<li><sub>~</sub></li>
<li>Have someone summarize</li>
<li>Talk through the mechanical and subjective layers, drilling down into specifics</li>
<li>Talk through how the exercise felt<ul>
<li>was it useful? Tiring? Enjoyable?</li>
</ul>
</li>
</ul>
</li>
<li>Tomorrow, we&rsquo;ll go through critiquing writing and actually workshop a piece &mdash; one of mine that has already been workshopped and published, so just an example of critiquing for a present author.</li>
<li>Optional homework:<ul>
<li>Write a short ~500 word snippet (or pick one already written) to go through a gentle workshop, think about what we talked through today while writing</li>
<li>Email it to me and I&rsquo;ll put it online for all to read in the workshop</li>
<li>Will be asking how it felt etc</li>
</ul>
</li>
</ul>
</li>
<li>Saturday &mdash; Critiquing in workshop<ul>
<li>What is workshopping?<ul>
<li>More important, what is it <em>not?</em><ul>
<li>Tearing apart a story</li>
<li>Tearing down the author (Maslanka story)</li>
<li>Editing a piece</li>
</ul>
</li>
<li>Talk about your engagement with the piece &mdash; remember list of questions from yesterday</li>
<li>Author:<ul>
<li>Listen to feedback and take in the ways your work affected others</li>
<li>Will talk about writing for workshops tomorrow</li>
</ul>
</li>
</ul>
</li>
<li>Types of workshops and such<ul>
<li>Silent author<ul>
<li>How that works</li>
<li>Why &mdash; active listening, no shaping responses</li>
</ul>
</li>
<li>Participatory discussion<ul>
<li>Better for pieces earlier in process</li>
<li>Feedback as to where to take it</li>
</ul>
</li>
<li>The role of the facilitator<ul>
<li>Prevent stalling</li>
<li>Keep on track</li>
<li>Pay attention to mood, etc</li>
</ul>
</li>
</ul>
</li>
<li>Tone<ul>
<li>Talk to the piece, not the author &mdash; some don&rsquo;t even use the author&rsquo;s name, pretend they aren&rsquo;t there (not particularly a fan, but also stay away from addressing comments to &lsquo;you&rsquo;)</li>
<li>Talk about yourself, your responses, your questions</li>
<li>Changing language<ul>
<li>Stay away from generating shared values/taste</li>
<li>Imagine and invite change</li>
<li>We don&rsquo;t want to over-reward author because then it becomes less about creativity and more about writing for success</li>
</ul>
</li>
</ul>
</li>
<li>Sample workshop:<ul>
<li><a href="https://makyo.ink/jump">https://makyo.ink/jump</a></li>
<li>10 mins to read</li>
<li>Workshop discussion with silent author, then bring author in</li>
<li>Discuss how it felt</li>
</ul>
</li>
<li>Tomorrow: writing to receive critique/actually receiving critique</li>
</ul>
</li>
<li>Sunday &mdash; Writing to expect critique<ul>
<li><a href="https://makyo.io/fcww23s">https://makyo.io/fcww23s</a></li>
<li>Writing and vulnerability<ul>
<li>Vulnerability in creation</li>
<li>The terrifying ordeal of being seen</li>
<li>How to manage having one&rsquo;s vulnerability openly addressed</li>
</ul>
</li>
<li>A lot is on the facilitator<ul>
<li>Ensuring discussion stays on the work</li>
<li>Ensuring <em>uncomfortable</em> silence is filled<ul>
<li>How silence feels</li>
<li>How to fill silence if it happens (ask questions)</li>
</ul>
</li>
</ul>
</li>
<li>Engaging with responses as author<ul>
<li>Always good to thank, but overdoing can weaken your position in your own eyes</li>
<li>Maintain authorial vision ---- everything you get (even negative) is encouragement and opportunity to change, but not a demand</li>
<li>Friction and vulnerability:<ul>
<li>Maintain openness (even physical &mdash; half smile, willing hands)</li>
<li>Maintain distance</li>
<li>Feel free to maintain boundaries, facilitator is there to help, can guide/move on from topic</li>
</ul>
</li>
</ul>
</li>
<li>Take notes! Can be overwhelming, so read through and think before blithely implementing</li>
<li>Workshops:<ul>
<li>One person summarize and lead in with discussion</li>
<li>Try one response at a time vs open discussion</li>
</ul>
</li>
<li>Reflect on how that felt</li>
</ul>
</li>
</ul>
</article>
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<p>Page generated on 2023-02-17</p>
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