* Transition to development: the moment they started coinciding was when I started walking when composing/composing when walking
* Theme A vs theme B building tension and modulating - add in magical realism bit by bit and it turns out the magical realism is just escaping depression
* Remembering the faintness of heart that went with the decision not to walk and how similar that was with accepting losing one's body and maybe I do hear music in the everyday and getting away from it is as hopeless as getting away from movement.
I think the thing that helped me get through Qoheleth alright was starting to write (or at least outline) the two separately, and then work on interleaving them about oh I dunno maybe halfway through, so.
* [ ] [Rocking out vs just rocking](rocking) (thinking "gosh, at least I don't have that" as I saw the guy in the car behind me rocking out thinking about TD)
* [ ] [Are my hands moving? Is my head moving?](hands-vs-head) (at bconnected)
* [ ] [Saying no on an ongoing basis](saying-no) (tic at bconnected getting frustrating)