update from sparkleup

writing/seasons/index.md

@@ -1,3 +1,27 @@
 %title Seasons
 
-> [Notes](notes)
+[Notes](notes)
+
+> As such, every reading of every poem, regardless of language, is an act of translation: translation into the reader's intellectual and emotional life. As no individual reader remains the same, each reading becomes a different --- not merely another --- reading. The same poem cannot be read twice.
+>
+> [...] the poem continues in a state of restless change. (Weinberger, pg. 46)
+
+When I studied music, back in university, back as I was starting to get into software engineering, I found the dichotomy surrounding repeatability between these two subjects self-evident. There is a special curse for software bugs that are not easily repeated: Heisenbugs[^heisenbugs]. On the other hand, though, there *is* no way to ever perform the same song twice, even for the same singers, the same instrumentalists, the same conductors. Even with the same audience, that time any time must perforce pass in so time-bound an art means that those who hear the song 
+
+## Spring
+
+## Summer
+
+## Autumn
+
+## Winter
+
+## Citations
+
+```
+@book{weinberger_paz_2016, place={New York, NY}, title={Nineteen ways of looking at Wang Wei: (with more ways)}, publisher={New Directions Paperbook}, author={Weinberger, Eliot and Paz, Octavio}, year={2016}}
+```
+
+## Notes
+
+[^heisenbugs]: From the Heisenberg Uncertainty Principle, which, glibly, states that observation influences measurements. A bug that you cannot reproduce when you are watching simply must share some of these attributes, but they never do.