zk/writing/workshop-packet/packet-2.md

5.1 KiB

%title Further Confusion Writing Workshop 2023

Workshop notes

Friday --- Critical reading

  • Intro
    • Intro self (incl. "this is for MFA" spiel)
    • Allow others to intro
  • Ice breaker: what is your least favorite part of your favorite movie?
  • Lead into what is a text
    • Books/writing, sure, but also anything that tells a story --- film, games, etc
    • Thus, what is critical reading?
  • Intentional engagement with a text, especially with regards to the self
    • Back to ice breaker: how do you intentionally engage with your favorite film?
    • How do we intentionally engage with a text in furry?
      • What do we like in a furry text? What don't we like?
      • Notably, not asking what makes a text furry, that we are furries is what enables us to read into that context
      • Thus, how do we engage with a text that we feel is furry as furries?
  • What goes into critical reading?
    • Layers:
      • Mechanical: presentation, word choice, language usage, writing style
      • Subjective: emotional impact, plot effectiveness, evocative descriptions
  • Reading exercise:
    • Pick one of these two categories to pay attention to first and read, then read for the second
    • Critique tomorrow, but preview: we're not tearing a text apart, we're asking it questions:
      • How did we feel the plot worked? Was there a structure? Could we follow it?
      • What was told? What was left out? How did (not) knowing make us feel?
      • What type of language usage was there? Word choice? Style?
      • How about emotional impact? Was the story impactful? Did the mechanics help or hinder us?
      • Was it evocative? Was it furry? Did that work?
    • Be ready to summarize
    • 10 mins to read
    • Have someone summarize
    • Talk through the mechanical and subjective layers, drilling down into specifics
    • Talk through how the exercise felt
      • was it useful? Tiring? Enjoyable?
  • Tomorrow, we'll go through critiquing writing and actually workshop a piece --- one of mine that has already been workshopped and published, so just an example of critiquing for a present author.
  • Optional homework:
    • Write a short ~500 word snippet (or pick one already written) to go through a gentle workshop, think about what we talked through today while writing
    • Email it to me and I'll put it online for all to read in the workshop
    • Will be asking how it felt etc

Saturday --- Critiquing in workshop

  • What is workshopping?
    • More important, what is it not?
      • Tearing apart a story
      • Tearing down the author (Maslanka story)
      • Editing a piece
    • Talk about your engagement with the piece --- remember list of questions from yesterday
    • Author:
      • Listen to feedback and take in the ways your work affected others
      • Will talk about writing for workshops tomorrow
  • Types of workshops and such
    • Silent author
      • How that works
      • Why --- active listening, no shaping responses
    • Participatory discussion
      • Better for pieces earlier in process
      • Feedback as to where to take it
    • The role of the facilitator
      • Prevent stalling
      • Keep on track
      • Pay attention to mood, etc
  • Tone
    • Talk to the piece, not the author --- some don't even use the author's name, pretend they aren't there (not particularly a fan, but also stay away from addressing comments to 'you')
    • Talk about yourself, your responses, your questions
    • Changing language
      • Stay away from generating shared values/taste
      • Imagine and invite change
      • We don't want to over-reward author because then it becomes less about creativity and more about writing for success
  • Sample workshop:
    • https://makyo.ink/jump
    • 10 mins to read
    • Workshop discussion with silent author, then bring author in
    • Discuss how it felt
  • Tomorrow: writing to receive critique/actually receiving critique

Sunday --- Writing to expect critique

  • https://makyo.io/fcww23s
  • Writing and vulnerability
    • Vulnerability in creation
    • The terrifying ordeal of being seen
    • How to manage having one's vulnerability openly addressed
  • A lot is on the facilitator
    • Ensuring discussion stays on the work
    • Ensuring uncomfortable silence is filled
      • How silence feels
      • How to fill silence if it happens (ask questions)
  • Engaging with responses as author
    • Always good to thank, but overdoing can weaken your position in your own eyes
    • Maintain authorial vision ---- everything you get (even negative) is encouragement and opportunity to change, but not a demand
    • Friction and vulnerability:
      • Maintain openness (even physical --- half smile, willing hands)
      • Maintain distance
      • Feel free to maintain boundaries, facilitator is there to help, can guide/move on from topic
  • Take notes! Can be overwhelming, so read through and think before blithely implementing
  • Workshops:
    • One person summarize and lead in with discussion
    • Try one response at a time vs open discussion
  • Reflect on how that felt