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update from sparkleup

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Madison Rye Progress 2024-10-28 21:28:51 -07:00
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</ul> </ul>
<p>Strand 1: WHRI tasked with outreach to older clades, both within her community and within the clade, as one who is a member of the community (subtext, later text, being that it&rsquo;s because she&rsquo;s so weird, it comes off as visibly struggling with age) <p>Strand 1: WHRI tasked with outreach to older clades, both within her community and within the clade, as one who is a member of the community (subtext, later text, being that it&rsquo;s because she&rsquo;s so weird, it comes off as visibly struggling with age)
Strand 2: Formative bits of WRHI&rsquo;s past</p> Strand 2: Formative bits of WRHI&rsquo;s past</p>
<p>Climax: WRHI confronts RFW about feeling gaslit about being crazy, but also comes to accept that she is just Like That in part because her identity has become cemented; talk with Ashes?; </p> <p>Climax: WRHI confronts RFW about feeling gaslit about being crazy, but also comes to accept that she is just Like That in part because her identity has become cemented; talk with Ashes?; in the past, we learn TODO</p>
<h2 id="epigraph">Epigraph</h2> <h2 id="epigraph">Epigraph</h2>
<blockquote> <blockquote>
<p>Every reading of every poem, regardless of language, is an act of translation: translation into the reader&rsquo;s intellectual and emotional life. As no individual reader remains the same, each reading becomes a different — not merely another — reading. The same poem cannot be read twice. (The poem continues in a state of restless change.)</p> <p>Every reading of every poem, regardless of language, is an act of translation: translation into the reader&rsquo;s intellectual and emotional life. As no individual reader remains the same, each reading becomes a different — not merely another — reading. The same poem cannot be read twice. (The poem continues in a state of restless change.)</p>